#Fender musicmaster bass amp history professional#

He is still touring with that band, which is now on its third album, Who Built The Moon (2017). Since then, Noel has started his band High Flying Birds with an excellent eponymous first album in 2011, proof that the guitarist still has things to say artistically.

#Fender musicmaster bass amp history professional#

Like the Kinks before them, the Gallagher brothers failed to keep their family quarrels outside the professional sphere and the group eventually exploded under the weight of them. But they took that sound and brought it to their decade, updating it with songs that would probably not have been out of place on Revolver, such as Wonderwall or All Around The World.ДЄs everyone knows, the band was led by the Gallagher brothers, Liam on vocals and Noel on guitar, even if on occasion Noel sings with his very endearing sound, such as on DonвЂ™t Look Back In Anger. Of course, their music is deeply inspired by the Beatles of 1966, whose visual style and production approach they replicated. And yet, the boys from Manchester wrote some of the most beautiful songs of the 1990s, truly building the soundtrack for a decade in need of idols.ДЇrom Supersonic in 1994 to Falling Down in 2009, Oasis sold 75 million albums and topped the charts with eight singles. It is easy to forget when an excellent band Oasis was, since their music was often overshadowed by their frequent indiscretions and the media coverage of them.

NoelвЂ™s settings still show above the knobs if youвЂ™re looking to capture his sound, and the tolex wear or the gaffer tape in the back are hints that this little combo probably has many beautiful stories to tell.ДЄn absolute вЂњmust-hearвЂќ track : Supersonic ItвЂ™s hard to know in which context he used that lovely silverface, but he certainly took it out on stage, probably as a complement to a more muscular amp, like his Orange OR-120. Noel Gallagher is among the players known to dig that lesser-known model, and this beautiful 1972 combo was his. Had that amp not been sold as a kit with the Musicmaster bass, and had it be named in a more consensual way, it might have become a Fender classic. Indeed, that kind of tool is perfect to get a big ample sound without crushing the room with volume. That amp could almost be seen as the ideal answer to all the guitar players who would modify their Princeton by putting a bigger speaker inside it. But in the same way that guitarists became enamoured with the evocatively named Bassman in the fifties, those same guitarists are the ones who got hip to the Musicmaster Bass, basically a low-power twelve-watt combo (featuring two 6V6 power tubes) with a twelve-inch speaker. When Fender released the Musicmaster Bass amp in 1970, they wanted to design something for bass players playing at home. History has a funny way of repeating itself.